Virtual Tour of the Moller Opus 10260

View of the chancel pipework facade

View of the whole chancel from the gallery (Tryon St. side)

View of the chancel console keyboards. The white buttons below each keyboard allow the organist to activate adjustable combinations of sounds. The white tabs across the top combine those sounds across the different keyboards.

View of the left side of chancel console

View of the right side of chancel console

View of the pedalboard. The silver “toe studs” allow the organist to activate adjustable combinations of sounds with the feet. The two left large pedals (which look like accelerator pedals) open & close the shutters in the Swell & Choir divisions. These shutters (shades or ‘louvers’) allow the organist to increase or decrease the amount of sound coming from the pipes within them. The far right large pedal is the Crescendo pedal, which allows a programmable sequence of pipes to sound without having to adjust any stops by hand.

Close-up of the Great division stops

Close-up of the Antiphonal/Great/Choir divisional stops

Close-up of the Swell & Pedal divisional stops

View of the gallery console

View of the gallery pipes, left (north) division

View of the gallery pipes, right (south) division

View of the old ‘echo division’ ceiling screen, where pipes were once housed with the 1927 Hook & Hastings organ

Pipework in the Great organ division

Swell, Trompette 8′

View of Positiv & Great divisional pipes through the Swell shades

Choir, Gedeckt 8′

Positv organ, Nasonflöte 8′ on left, Great & Pedal in background

Great & Pedal divisional pipework

Left to right: Bordun 8′, Principal 8′, Octav 4′, Great Trompette 8′, & close-up of Resultant 32′

View of nave and balcony with Great Bordun 8′ & Principal 8′

Left to right: Great Trompette 8′, Octav 4′, Principal 8′, Bordun 8′ with Positiv division in the background
3302 – Choir loft from Great organ division (Bordun 8′ & Principal 8′)

Detail of Great Trompette 8′ with Pedal division in the background